В поисках мастерской: особенности стилистики бейсугских изваяний
DOI:
https://doi.org/10.24852/2587-6112.2026.5.115.128Ключевые слова:
археология, половецкие изваяния, нестандартные детали костюма, скульптурная мастерская, искусствоведческий анализАннотация
В статье рассматривается небольшая группа половецких изваяний с нестандартными иконографическими деталями костюма. Актуализируется проблема отсутствия профессионального искусствоведческого анализа половецкой скульптуры. Делается вывод, что изображение бахромы в верхней части юбки кафтана на самом деле является изображением сборок. Комплекс, состоящий из данной детали, двух подтреугольных фигур на тыльной стороне кафтана и трехполосного пояса, зафиксированный только на ряде статуй из Краснодарского края, может свидетельствовать о существовании во 2-й пол. XII – 1-й трети XIII вв. скульптурной мастерской в регионе среднего течения реки Бейсуг, изваяния которой отличаются стилистическими особенностями костюма.
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